In the Background - What to Put Behind Portrait Drawings
May 26, 2010 Drawing
Once you get a handle on how to draw portraits, it’s time to start thinking about the backgrounds of your drawings.
When you’re just starting to learn how to draw, backgrounds can be overwhelming and just plain annoying. As you start to develop your techniques, you begin to see the importance of considering what is behind your portrait.
Using seven examples of my own portraits, here are some options for portrait backgrounds.
1. White
This is the most obvious and the most easiest, but it isn’t always the most effective. The problem with a white background is that the white of the paper remains on the same “plane” as the white highlights on your figure. This means that the background and the foreground merge, and your subject doesn’t pop forward.
2. Shaded
With this portrait, I opted to shade the entire background in a mid-tone gray. By doing this, I pushed the background back, letting the subject come forward. The dog’s face pops on the darker background and it looks more three-dimensional.
3. Gradient
This is another way to dress-up the shaded background. You can manipulate the background in a way that suggests a light source, that emphasizes your subject, and creates direction and focus. Here, the highlight is behind the subject’s head, drawing the focus there.
4. Simple
In this portrait, I’ve taken the natural background and simplified it. Behind the subject was the beach, ocean and horizon. I’ve simplified it so that it’s easier and quicker to draw, but is still recognizable to the client who knows what it is. It adds a little extra interest to the portrait without taking away from the subject.
5. Blurry
This type of background is similar to the previous one, but it creates more of an atmospheric setting. Here the background refers to nature, trees, and foliage. To create this effect, shade the whole background and then pick up random highlights with a kneaded eraser. Then go back in with your pencil and darken some areas. The key is to make the patterns of light and dark unpredictable.
6. Realistic
Using a realistic background is a good way to communicate something about your subject or their personality. In this portrait, my client asked me to draw a wheat field in the background to relate to her dad’s life as a farmer. When drawing a realistic background, remember that you will have to simplify the details to a certain extent. Here, the wheat gets less distinct as it gets farther away, creating a sense of distance and depth.
7. Montage
This type of background is gives you some freedom to play with the elements of your portrait and create meaning in a more creative way. In this portrait, I’ve used the image of a medal that the subject won at a marathon. Although the medal is much bigger compared to the figure than it would be in real life, it becomes a part of the overall composition and adds context to the portrait.
Each of these techniques serves a purpose and will suit some portraits better than others. Whatever you do, don’t forget to consider your background. Your drawing is your whole page and you need to think about how best to use it!
Don’t be afraid of backgrounds, jump in and experiment!
Tags: backgrounds, better drawings, composition, drawing tips, portraits
Easy Composition Tips: Thumbnail Sketches
Whether you’re drawing or painting, you need to consider the composition of your work. Composition is the arrangement of the visual elements on your picture plane; or, where you put things. You need to take into consideration the relationship of the elements to each other, and the relationship of the elements to the edge of your drawing or painting.
Composition can help communicate feeling and meaning. The arrangement of objects can be balanced and harmonious and convey a sense of calm. Or they can be awkward and convey a sense of tension. You need to use this to your advantage!
Even if you’re working with a single subject, like a portrait, you need to think about composition. Where will the face go on the page? In the centre, off to the side, near the edge? Each arrangement will slightly alter the feel of the finished piece.
But how can you figure out the best composition? That’s where thumbnail sketches come in.
Thumbnails are small-scale drawings that let you play around with composition without investing a huge amount of time and effort into a single artwork.
How to use Thumbnails
First of all, you want to consider all the elements that will be in your piece. Below are some examples of thumbnails I did for an upcoming painting. I knew I was working with a horizon, a tree, two giraffes and the sun. My goal was to find the best arrangement for these elements.
Thumbnail drawings should only be a few inches big, but make sure they are the same scale as your finished piece. I know that my painting will be three feet by two feet, so I made each thumbnail three inches by two inches. This way, I know that the elements of the painting will fit into the thumbnail the same way as the painting.
Once you know what you’re working with, and you draw yourself several to-scale boxes, start playing around. Try as many different arrangements you can think of. This lets you see exactly how things will relate to eachother without just imagining it. This is important because artists are visual and need to see.
Choosing a Thumbnail
Pick a thumbnail that feels like it works. This really depends on the feelings you’re going for in your work. This is the thumbnail I chose for my composition. It is balanced and harmonious, each element is comfortably placed and nothing feels awkward. It also follows the rules of thirds.
We all know how it feels to suddenly get the perfect idea for your next piece. You’re excited and anxious to get going. It can be tempting to jump right in. But you’ll find that your finished piece will be better if you take a few minutes to do a little planning and find the best composition. The effort is well worth the result!
Tags: art tips, better drawings, composition
How to Set Up a Portrait Composition in Corel Draw - Tutorial
Dec 30, 2009 Art General, Tutorials
It’s always important to determine your composition before starting a drawing, and sometimes it can be useful to do this with the computer. Using photo editing software allows you to combine various images, see what the finished product will look like, and best of all, to make changes easily. I use Corel Draw to create all of my compositions. It’s a very intuitive, easy to use program, but it’s also quite powerful.
Creating compositions this way can provide you with a reference to draw from, and it can also be something that you send to a client before starting a commission. I’ve used Corel Draw to bring figures closer together than they were in the original photograph, to combine the body from one photo with the head from another, and to find the best way to arrange multiple subjects.
This tutorial is meant to teach you how to use Corel Draw to manipulate your photos and create a composition. I’m using a single subject, but you can do this with as many figures as you need to.
Bring your photo reference into Corel Draw. You can do this by clicking file-open, file-import, or you can just click and drag your photo into the program.
Click on the shapes tool, circled in red. This tool allows you to crop your image by changing the outline. After clicking on the shapes tool, click on your photo. You will see the black boxes in each corner change to smaller white boxes outlined in black.
With the mouse, hover over one of these “nodes.” You’ll notice that it gets a little bit bigger. Click and hold as you draw in towards the photo. Here I’ve cropped the upper right corner. We can get an even closer crop by adding nodes. To do this, simply double click anywhere on the outer edge of your photo. A node will appear and you can drag it inwards.
You can get really fussy with this if you want, adding nodes to get a smooth outline, but there’s no real need. Just get the basic outline of your figure.
Now we want to create our frame. Click anywhere on the background or white space and you will see this menu appear. It allows you to change the units of measurement. Depending on what size you want your finished drawing, choose the appropriate units. I like to work in inches.
Notice the rules along the top and left edges of your workspace. Put your mouse on top of one of these rulers, click and drag into your document. You have just created a guide. These guides can be moved and deleted just like any other element of your page, but when you line them up with the ruler, they are great for measuring. Here I’ve used guides to create a 5″ x 7″ frame, the size that I want my drawing to be.
Now you can scale up your image to fill the frame. Click and draw one of the corner boxes to make your image bigger or smaller. This is where you can play around to find the best composition or arrangement. The great thing about this is that you can actually see what your finished drawing will look like.
If part of your image happens to go outside of your guides, just use the shapes tool again to crop off that part.
Now that you have your basic composition, you may want to consider a background. Use the rectangle tool to draw a rectangle the dimensions of your frame. Then, on your keyboard, hit ctrl-page down. This layers the rectangle underneath your image.
On the right hand side, click the object properties tab. Here is where you can change the properties of your rectangle. Use the gradient fill to simulate shading and play around to see what looks best.
Once you’ve picked a background, it’s time to save your picture. It’s a good idea to save a Corel file in case you need to make change, but you will also want to export a jpg. To do this, simply click file-export, choose jpeg as your file format and click “export.” At this point, you could also add grid lines if you chose.
Here is the final image. I’ve taken it into a simple photo editing program and decreased the saturation to make it grayscale. This can now be used as your reference, or sent to a client to approve the composition!
Tags: composition, portraits, Tutorials
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